I met with my director and composer yesterday to touch base about the play. We still have a couple of blank spots in the cast, but we have a plan of attack to fill those roles. We'll be auditioning in Edmonton and Ron (my director) will make a few calls.
All in all, it feels like everything is proceeding as it should. We have our creative team in place, and we're sorting out scheduling. We'd like to get three days worth of workshopping so that we can bring out our Peking Opera consultant a little early to work with the main cast. We've found in the past that immersing the cast into the world of Peking Opera off the top has given them a vocabulary that they can use in the play. When we don't start off with our consultant, we leave our actors floating in limbo. This reminds me how important it is to create the world of the play not only for the actors, but the audience. I'd better take another look at the opening of the play to make sure that I'm doing that work for the audience as well.
The only new wrinkle in the whole plan is the fact that we now need a little girl to play Phoenix's daughter. She only shows up at the end of the play, but she has to be able to sing and we're talking about doing some sort of illusion to transform her from a silk to a girl. It should be a pretty magical moment.
We were supposed to talk about the script, but Ron hadn't had a chance to read it, because he just flew in from NYC after opening Bash'd, the latest Off Broadway hit. Ron shared a few great stories about working on the show, and I'm sending good karmic thoughts to Nathan and Chris, the creators/cast of the show. They're from Edmonton... and they're the toast of NYC!!!